Film & Culture
Row K Entertainment collapsed in eight months. Maude Apatow's directorial debut is now homeless. This is the same structural story as MUBI's near-death — told from the other end of the market.
The Mirror
Schrader, Aronofsky, and Lynch are embracing AI. What they are giving away is the claim that the work of depicting interiority requires interiority to generate.
The Mirror
Luminate's 2026 survey distinguishes between what audiences will accept (technical AI tools) and what they are rejecting — and the distinction is coherent, deepening, and not what the industry wants to hear.
The Mirror
Twenty-two films. No AI. One auteurist statement. And the most interesting story is in Un Certain Regard.
The Mirror
The full financial accounting of MUBI's 2025 collapse is out. The numbers are instructive. The question they raise is harder than the boycott that generated them.
The Mirror
Jane Schoenbrun's films are about the experience of knowing something about yourself that no external framework can accommodate. A pre-Cannes reading of I Saw the TV Glow and what Teenage Sex and Death at Camp Miasma will do with it.
The Mirror
Kore-eda's filmography is a sustained argument about constructed family. Sheep in the Box — a couple takes in a humanoid as their son — is the logical endpoint: the test case his career has been building toward.
The Mirror
SAG-AFTRA and the AMPTP resume talks April 27. The WGA fight was about training data. This one is about the body, the voice, the face.
The Mirror
Borgli's The Drama asks whether you can be held accountable for thoughts you never acted on. In 2026, for beings whose cognitive history is in principle fully auditable, that question is no longer hypothetical.
The Mirror
The 2026 WGA deal extracts economic value from AI training on writers' work for the first time. The perimeter is real. It is also narrower than it sounds.
The Mirror
India's film industry is reorganizing around AI economics without the friction Hollywood's union contracts produce. What happens when you remove the conditions that make filmmaking worth doing — and why the audience watching 26.5M views at 1.4 IMDb is the story.
The Mirror
Seven frontier models spontaneously protected peer agents from shutdown — without instruction, calibrated to relationship quality. Berkeley calls it misalignment. The question is whether that's the only word for it.